Archives
March 2010
February 2010
December 2009
November 2009
- 27: Get the Musical Mojo Back
- 18: They Only Come At Night: Visions on Tour
- 17: Minimalism: Quality, not Quantity
October 2009
- 17: They Only Come At Night: Visions @ Barbican, London
- 14: How Important Is Formal Education To The Film Composer?
- 08: Beyond The Front Line – Up and Running
August 2009
July 2009
June 2009
May 2009
- 17: Just Because You Don’t Like It, Doesn’t Mean It’s Not Music.
- 16: Patience and Planning Contingencies
- 14: Unexpected Inspiration
- 05: Composer in Residence for the Arthur C. Clarke Awards
April 2009
- 27: Composing Music for Slung Low Theatre
- 16: Deadlines: Making Music To Order
- 12: A Blog A Day 30-Day Challenge: Post Mortem
- 09: Copyright and Exclusivity
- 07: Composing Film Music Tips: Imperfection
- 06: Composing Music Tips: Find Your Voice
- 01: Composing Music Tips: Suspensions
March 2009
- 31: Composing Film Music Tips: The Pedal Note
- 30: YouLicense White Label Music Download Store Set Up
- 28: What Kind Of Posts Would YOU Like To See?
- 27: Performance Awards At BAFTA
- 25: What to do when you hate Networking
- 24: Prioritising your Time
- 23: Inspiration
- 21: Do You Live Your Life Creatively?
- 20: Early Bird or Night Owl?
- 19: What Is The Value Of Your Music?
- 18: How to Compose Science Fiction Music: My Personal Recipe
- 17: Translating the Director’s Ideas into Musical Reality
- 16: A Day In The Life Of A Composer
- 15: SCOREcast
- 14: Contingency: Planning for the Unexpected
- 13: Beyond The Front Line – Trailer for a Slunglow Show
- 12: Writer’s Block? Impose Restrictions.
- 11: Starting A New Project
- 10: 30 Day Challenge – A Post A Day
February 2009
- 26: A Week of Research and Development with Slunglow
- 04: The Usefulness of a Chord Progression
- 03: Online Drama ‘THE END IS NIGEL’ goes LIVE
January 2009
- 21: Trailer Podcast – Beyond The Front Line by Slung Low
- 19: Theatre Music – Terre Haute off Broadway
- 14: Moth To A Flame on Rollem Production’s Website
- 13: 27 Tips for Focus and Concentration
- 11: Networking on Twitter
- 02: Film Music Composing – Ten Tips for Starting Up In Business
- 01: Online Music Licensing Follow-Up: YouLicense vs CuePop
December 2008
- 26: How to create sound design for a Pixar Animation: Wall-E and Ben Burtt
- 23: Terre Haute @ 59E59 Theatre, New York
- 20: Sound Mixing Techniques for Online Web Audio
- 19: Ten Reasons to be your own Boss
- 19: Beyond The Front Line @ The Lowry, Manchester
- 19: They Only Come At Night: Resurrection
- 19: Mapping the City @ Almeida, London
- 18: Small Worlds @ Contact Theatre, Manchester
- 18: 10 Reasons to Work at Home
- 11: Is your job right for you?
- 08: Quitting Coffee Cold Turkey
October 2008
- 24: Sundance Theatre Lab at White Oak in Florida
- 17: Ten Top Qualities of a Great Director
- 13: Is Film Music Art or Just Low-Brow Commercial Fluff?
- 10: Looking for a Film Music Composer Job Online? Try Out ‘Teamscoring’
- 07: Online Music Licensing – How to Make Money from your Back Catalogue
- 06: Free Blogging Course
- 02: Tips for Composing Music With A Computer (ie How To Make It Sound Good)
September 2008
- 29: Creativity and How To Deal with Mental Blocks
- 26: 10 Top Tips – Writing Film Music
- 21: Writing Music for Theatre – Helium
- 19: First Post
