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Music composed for, has appeared on, has been licensed for, or has been heard at:

Composer Heather Fenoughty has provided a score using guitar and strings with a touch of Celtic folk sound whose sweetness underscores the contrast between this largely restrained exchange and the violence that is being talked about…’

British Theatre Guide Review of Terre Haute (2006)

about

My most recent work includes StarDog & TurboCat, an animated feature by Red Star 3D. Starring Gemma Arterton, Nick Frost, Bill Nighy and Luke Evans, StarDog & TurboCat is released in UK cinemas in December 2019.

As composer for film, TV, theatre, adverts, games and online media, I’ve credits on BBC and ITV documentaries and feature films. I’ve composed music for advertisements by CITV, Nissan, Land Rover and other multi-national companies.

My production music has featured on The Daily Show with Jon Stewart, CNN Newsroom, CBS News, Channels 4 and 5 et al, and in games – for XBox, iPad and online flash games.

In the past, I’ve provided full post-production audio services for shorts and  online narratives, from dialogue editing and recorded sound cleanup with sound effects, to final production, mixing and mastering. Now I’m focussed on music composition, these audio skills still inform my work.

I create music and design sound for award-winning installation and contemporary theatre, often with Slung Low and Third Angel theatre companies. These scores have played in the West End, off Broadway, for Sundance Theatre Lab, and at Singapore Arts Festival.

My scores can be heard in 4D theme park cinemas across the world in many of Red Star’s 3D CG animations.

I compose a growing, exclusive collection of production music for Premiumbeat. Other tracks from my back catalogue can be found on Pond5 for licensing.

I’ve written about creativity and the business of composing music at ScoreCastOnline.com, and spoken on the use of sound and music in media at universities and film events. I’ve sat on panels to judge film and TV music for BAFTA, BASCA, PRS and other film organisations.

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Recent Posts

Projects Past and Present; or More About Getting Out of my Comfort Zone
Projects Past and Present; or More About Getting Out of my Comfort Zone
I finished work on StarDog and TurboCat in August. I was on it since May of the previous year, so it’s the longest I’ve been working nearly continuously on a single standalone project ever, I think. I’m starting a new project, so I’m currently in 'prep mode'. ...
BUT What If I NEED Social Media For Work?
scribbling out the social media platform Facebook on a mobile phone
The key thing to remember is to treat your social media activity as part of your business. Schedule it, limit your hours, customise your notifications to those that will serve your business (eg customers' direct messages), investigate your return on investment including not only your financial spend but also your time and energy, and only use those media where your audience hang out.  ...
My Top Tools, Apps and Methods that Support Big Creative Goals
An empty tub of Northern Bloc Vegan Ice Cream
I’m scoring a feature at the moment and there’s so much music to keep on top of that I had to up my organisational/project management game. So these are the apps and systems I’m currently using. Please note, it’s always work in progress and I'll modify this list depending on what the work demands, now and in future ...
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