What story do you want to tell? How do you want to feel?
I made a really useful little pdf, a guide to helping directors get really clear when they brief* their music composers.
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It includes all the practical, useful, simple questions I always try to get answers to from any brief I receive, for any kind of media – film, theatre, television, animation, games, library music…
I work with the same people a lot (Red Star, Third Angel, Slung Low), which is pretty awesome mostly because they’re all groups of brilliant, creative, interesting people to work with. Part of the brilliance and awesomeness is that we’ve developed a shorthand for talking about music and the briefing process has become sooo much easier, simpler and quicker over the years.