Composer for Media
For licensing, theatre, games, multimedia etc. – please email:
[email protected]
For all film, television or animation enquiries, please contact my agent:
Steve Berman (Tel: 07737 386 829)
[email protected]
Tel: +44 (0)161 353 0400
Tel: +44 (0)20 3298 3480
From USA: (631) 663 1077
Building 7, The Washington Centre
MediaCityUK
112 Broadway
M50 2UW
BBC1, BBC2, BBC3, BBC4, CBBC
ITV
Passion Pictures
UK Film Council / Screen Yorkshire
Hakuhodo Productions (Tokyo)
Mosaic Films
Mosaic North
Picture Palace North
Sort Of… Films
Lippy Films & TV
Cipher Films
Tobbell Films
London Film Collective
C Media Productions (SEA Media)
Adelphoi Music
MadCat Films
Flying Women Films
Hi8us North
Pooka Productions
VeryMuch So Productions
Wide Eyed Productions
Non-Members Only
Slung Low Theatre Company
Nabokov Theatre Company
Silver Tongue Theatre Company
Punch Drunk Theatre Company
Orage Films
“I wish every job came with Heather! I spend my time in an edit suite with my editor discussing music and music cues and wishing she was also with us.
Heather was a joy to work with – fast, enthusiastic, quick to pick up a note, happy to tweak and refine and always sending material all along the way during the edit process. Her instincts are great and the quality of what she does is wonderful, whether it’s sweeping dramatic music, or comedy, or even something approaching scary. I honestly believe she can do it all.
I would totally love to work with her again and as soon as I get the opportunity I will be on the phone!
Tracey Rooney, Director of Little Red Riding Hood: After Ever After (Sky/King Bert)
“Heather wrote all the music for over a dozen short animated films [produced by Red Star] and for our first feature STARDOG AND TURBOCAT.
From the start working with her really was transformational in terms of the process of how we dealt with music. She would take the script (and often a storyboard or animatic we’d produced; sometimes scored with temp music) and a brief; and she’d very rapidly begin to sketch out ideas for the score, concentrating always on finding the core melody that would hook the audience in and represent the story and themes we were trying to get across.
Her working process is very intelligent; because she would work and work on the simplest part of the theme and make sure it was 100% right before going off and filling in the detail and actually scoring against picture.
The simple upshot was that her music dramatically increased the quality of entertainment and storytelling we were delivering; to the extent where the music wasn’t incidental; but was front and centre in the experience and really helped sweep the audience up in whatever story we were trying to tell.
Plus, she’s a real pro in terms of the actual business of scoring and the practicalities of fitting music to picture and she always turns changes or revisions around quickly and efficiently and it always, ALWAYS ends up sounding great!.”
Ben Smith director/producer – Red Star 3D
“Heather is by some distance the most talented, most consistent, reliable and generous composer I have ever worked with.”
Alan Lane, Artistic Director of Slung Low
“Heather is excellent at interpreting story design and creating music that reinforces core themes. She has the ability to interpret often loose and ambiguous direction, quickly generating variations around a theme and helping to drive the creative process forward.
First and foremost Heather brings a quite staggering level of musical competence to her work. I mean that with regard to the wide range of styles and instruments, the complexity, and indeed sometimes simplicity of her compositions. Her hooks and melodies make her scores compelling and the ease with which Heather takes music and bends it to compliment visual storytelling is unlike any composer I’ve ever worked with.”
Jan Rogowski, producer – Red Star 3D
“Heather created a bespoke instrumental track for TCC in 2021. Heather was great to work with and delivered a fantastic track which met our brief and timelines. I highly recommend working with Heather.”
Issy Neal-Hooke, Creative Producer – TCC
“Heather Fenoughty’s score is a wonderfully stylish feature of this film adding a theatrical but also other-worldly element of tension.”
Mirren Wilson, reviewing ‘The Good Book’ (B. Chapman / Slung Low, 2020) for A Younger Theatre
“It was such an utter joy to work with Heather again, and this time on such a large event. She is a clever, brilliant woman. Her work is always exactly what I need and she is open to working together to make changes as we go. She was actively present throughout the event to help make it sound the very best and I am so grateful for her talent, her patience and commitment. Always a joy.”
Lucy Hind Lane, director/co-choreographer – ‘Pals’ Dance from The National Commemoration of The Centenary of The Battle of The Somme (2016)
“It has been such a pleasure to work with Heather on ‘The Aviatrix‘ – she constantly responded to a varying brief and delivered wonderful music within a tight timeframe.“
Helen Morrell, producer – ‘The Aviatrix’ (2014)
“Heather provided an excellent soundtrack for one of our interactive experiences, ably adapting to the exacting demands of our client’s curators and delivering a compelling, dynamic and memorable experience that will serve the [V&A’s Venetian Masquerade Interactive Film] permanent exhibit perfectly for the next decade.
She fitted in perfectly as part of our larger production team and her professionalism and dedication helped us deliver the quality our clients expected, on-time and on-budget.”
Adrian Ward, Director of Clay Interactive
“Heather is the most exciting talent in sound design today. Just keep doing what you do in the magical way you do it.”
Steve Nesbit, director – ‘Curio’ (2010)
“…the music and sound design are exquisite. This is not incidental music; it is a soundtrack worthy of cinema…”
Matthew Taylor, reviewing ‘Tis Pity She’s A Whore‘ (2010)
“Heather is easily one of the best composers for film/TV and other moving image projects living and working in Yorkshire. There’s not really much more to say than that! You will NOT be disappointed should you choose to contract her. She’s also the loveliest! :-)”
Ed Cartledge, Director at Sort Of Films
“Working with Heather is a great pleasure. She has that rare combination of extensive technical skill combined with genuine creative talent. I find myself in awe of her dedication, attention to detail and quality of output. Her scores better my expectations and heighten the project as a whole.”
Kevin Tams, Director at Copacetik Productions
“Heather really understood the tone of what I was trying to create with Silica and where I was coming from, despite it being an abstract piece… With Silica I had only an impression of how I wanted it to sound.
“Heather patiently took my fragmented thoughts and created something haunting, extraordinary and better than I could have imagined. Working with Heather was fun, creative and really comfortable. The sound design for Silica stood out as a focal element but at the same time bled into the piece as if it had always been there.
“What is so great about working with Heather is that I felt at ease to express my thoughts and ideas through a few words of phrases and she interpreted them in the sound design perfectly. I would love to work with Heather on future projects.”
Victoria Pratt, Theatre Maker – ‘Silica’ (2010)
“Her music was just what we were looking for“
Justin Rossbacher, Director – Advertisement
‘Experience Wonder: Taubman Museum of Art’ Licensed through Premiumbeat.com
“Working with Heather was a pleasure as well as a professional eye-opener. For me as a first time director, Heather was both efficient and inspirational. Her knowledge and skill definitely added to the results of my film and I would certainly work with her again. The whole process was an education and I’m sure Heather could be adaptable in terms of working with a first time director to the more experienced in our industry.
Her contribution helped evolve my film to a higher level.”
Steve Waddington, Director – short film ‘Forever and a Day‘
“Heather’s commitment and talent make her a joy to work with. She truly understands the power of sound.
She helped push my film to the next level – and the music she wrote for the finale still gives me the chills every time.”
Sue Everett, Director – ‘Mother, Mine’
“Heather has always made a significant creative contribution to our productions… her originality has a chameleon-like ability to write in different styles to meet the needs of our films.
“An example of this is found in our feature length documentary, ‘Crossing The Line’…that saw Heathers work sit effortlessly alongside original compositions from multi-award winning Craig Armstrong, whilst retaining her own distinctive score.
“Heather’s exemplary contribution to all of our films illustrates the mastery of her craft and the maturity of her compositions.“
Peter Haddon, Creative Director – VeryMuchSo Productions
“Heather’s original composition and creative sound design helped create an authentic atmosphere in my film ‘Private Life’. Heather’s music really enhanced the period setting of the film, accentuated the excitement of the narrative and revealed the emotions of the characters.
“I am convinced that Heather’s score assisted greatly in the success of the film and I would have no hestitation in highly recommending Heather to other film makers.”
Abbe Robinson, Director ‘Private Life’ (Mad Cat Films, 2006)
“Thank you so much for working with me on Terre Haute… everyone loves your composition… you captured everything I imagined and have made a fantastic contribution to the production.”
George Perrin Creative Director – ‘Terre Haute’, Nabokov Theatre Company
“Heather is a great composer and sound designer. She hits deadlines and plans clearly and effectively. We worked together on a project for Slung Low Theatre and Heather helped made the project easy and fun to complete.”
Gordon Okafor-Ross, Creative Director at Creative Universe Ltd
“Composer Heather Fenoughty has provided a score using guitar and strings with a touch of Celtic folk sound whose sweetness underscores the contrast between this largely restrained exchange and the violence that is being talked about…”
Review of ‘Terre Haute‘ , British Theatre Guide
Everything else that doesn’t quite fit in elsewhere…
I sat on RTS (Yorkshire) Award Juries for Music in 2022 and Production Excellence in 2023, the 2021 Ivors Award Jury for Game Music, the 2017 BASCA Ivor Novello Award Jury for Television Music, and 2013 BAFTA Craft Award Jury for Original Music.
I’ve spoken on panels for events by PRS and The Ivors Academy (How To Place Your Music In Film & TV, Writing Music for Other People, Writing Music for Animation) and Site Gallery Sheffield (Soundscapes for Theatre).
I was a Composer Mentor for Help Musicians UK 2020-22.
In 2018, Flood: To The Sea (BBC2/Slung Low, 2017) won the RTS Yorkshire Award for Production Excellence.
I’ve written exclusive sync tracks for PremiumBeat, Melodie, Synctracks and MediaTracks production libraries
On the strength of my score to Helium (Barbican/Slung Low 2008) I was invited to join Punchdrunk Theatre Company for a two-week residence at the Sundance Theatre Lab 2008 at White Oak Plantation in Florida.
I was the Composer-in-Residence for the Arthur C. Clarke Award in 2009. For the award ceremony that year, I wrote and produced 3 pieces that reflected the spirit of quotations from the great man himself, and a longer piece that incorporated all of these themes that was played at the award ceremony.
I was Sound Mentor for both:
Global Stories 2007
Helping two teams of young people to create two short films, from script creation to screen, in only 8 days. I joined them for production and post-production, helping them to record the best sound on the shoot, through to mixing, a little bit of foley and atmos cleanup and scoring a few last minute piano moments to help the story along.
Screen Yorkshire Caught Short: Focus 2004 and 2005
Similar in style to Global Stories, this was epic in proportion. 10 short films were created from signed-off script to screen in 5 days.
I’ve given talks to university and school students about film music, sound design and the career of a composer.
Adverts, commercials, broadcast and internal, local and international…
Animals Suffer in the Scorching Heat
ASPCA TV Spot (US)
Music licensed through Premiumbeat
Range Rover Launch Dubai (Imagination.com)
A Very Moray Christmas (ITV)
Music licensed through Premiumbeat for Moray County Council’s Christmas Advert. Broadcast on ITV (Scotland).
CITV Autumn Brand Image 2014 (ITV)
Music for live action and CG animated promotion advertisement, broadcast on all ITV channels.
Manchester Christmas Markets (Kilogramme)
Broadcast on regional terrestrial and digital channels.
Bensons for Beds: A brief history of the bed (dir. J. Turner, Kilogramme Animation)
Max and the Mysterious case of the Stolen Data (Kilogramme Animation) for Kaspersky
Music for CG animation, advertising and illustrating Kaspersky’s new internet security software (see also following ‘Max and…’ advertisements)
Max and the Encounter with the Mobile Malware Monsters (Kilogramme Animation) for Kaspersky
Max and the Inside View of Global Security Threats (Kilogramme Animation) for Kaspersky
Experience Wonder: Taubman Museum of Art (Abandon Films) – Music licensed through Premiumbeat.com
Nissan – Ride to the Future (Hakuhodo Prod.,)
Music and Sound Design for 10min computer animation
Nissan – Giving Back to the Community Promo (Hakuhodo Prod.,)
Music for Corporate Advertisement
Laserzone (Red Star Animation Studios)
Foyer animation for indoor lasertag game
15 Minutes Live 2021 (Slung Low/Freedom Studios) – 6 short radio-style plays; music composition, arrangement, orchestration, player fixing.
Monster Proof (N. Emam/J. Hunter/The Crucible) – radio-style play; music, sound design and QLab programming.
The Distraction Agents (Third Angel) – interactive week long physical and online adventure; audio consultancy.
The Department of Distractions (Third Angel/NorthernStage) – 3rd National Tour
The Department of Distractions (Third Angel/NorthernStage) – 2nd National Tour
The Department of Distractions (Third Angel/NorthernStage) – 1st National Tour
Flood (Slung Low/Hull City of Culture) – Large Scale, Site-Specific, 4-part multimedia theatre – music, creative sound design and QLab programming.
Partus (Third Angel/Sheffield Theatres) – National Tour.
Partus (Third Angel/Sheffield Theatres) – Devised Studio Play; music composition, sound design and QLab programming
15 Minutes Live @ The Holbeck (Slung Low) – Live Radio Plays; music composition, arrangement, player fixing.
It Happened Here (Slung Low) – Installation/Promenade Audio Tour; music composition
Blackthorn (West Yorkshire Playhouse) – New Two-Hander Studio Play; music composition, sound design, and QLab programming.
Emergency Story Penguin (Slung Low/Dep Arts) – Children’s/Experiential/Promenade Headphone Show; music composition and QLab programming.
Camelot: The Shining City (Slung Low/Sheffield Theatres) – Large-Scale Promenade Headphone Show; music composition and QLab programming.
The Straight Man (Marchen Theatre) – Short Noir-Ha Four-Hander Play; music composition.
The White Whale (Slung Low) – Promenade Headphone Show; music composition and QLab programming.
Venetian Masquerades (Slung Low/Clay/V&A Museum) – Interactive Exhibition; music composition and asset creation.
15 Minutes Live @ The HUB (Slung Low) – 5 Live Radio Plays; music composition, arrangement, orchestration and player fixing.
15 Minutes Live @ Theatre in the Mill (Slung Low) – 4 Live Radio Plays; music composition, arrangement, orchestration and player fixing.
Blood+Chocolate (Slung Low/Pilot/York Theatre Royal) – Large Scale Promenade Headphone Show; music composition and QLab programming.
They Only Come At Night: Pandemic (Slung Low/Singapore Arts Festival) – Promenade Installation Headphone Show; music composition.
15 Minutes Live @ Leeds Town Hall (Slung Low) – Live Radio Plays; music composition, arrangement, orchestration and player fixing.
Converging Paths: Darkness At the Sun Court (Slung Low/Coastival) – Headphone Show; music composition, choral arrangement and choir fixing.
Converging Paths: Keep (Slung Low/Richmond Festival) – Promenade Headphone Show; music composition, choral arrangement and choir fixing.
Converging Paths: Retrospective (Slung Low/Grassington Festival) – Promenade Headphone Show; music composition, choral arrangement, choir fixing, and violin performance.
Converging Paths: Memorial (Slung Low/Harrogate International Festival) – Large Scale Promenade Headphone Show; music composition, band fixing.
Converging Paths: Story Book (Slung Low/Pickering Festival) – Promenade Headphone Show; music composition, choral arrangement and choir fixing.
Northern Big Board (Slung Low/Chol Theatre) – Headphone Show; music composition.
59 Minutes To Save Christmas (Slung Low/Barbican) – Promenade, Installation, Site Specific, Headphone, Children’s Show; ; music composition and QLab programming.
15 Minutes Live @ Farsley Mill (Slung Low/I Love West Leeds Festival) – Live Radio Plays; music composition, arrangement, orchestration and player fixing.
Original Bearings (Slung Low/I Love West Leeds Festival) – Site Specific Headphone Show
Finale (Slung Low/Liverpool Everyman) – Site Specific, Installation Headphone Tour and One-off Theatre Performance; music licensed from catalogue.
The Correct Frequency for Stories (Slung Low/Grassington Festival) – Site-Specific Promenade Headphone Show; music composition.
Mapping The City (Slung Low/imove, 2011) – Large Scale/Site Specific Promenade – Hull Truck; music composition and QLab programming.
Anthology (Slung Low/Liverpool Everyman, 2010) – 7-fold Concurrent Promenade Headphone Show; music composition and QLab programming.
‘Tis Pity She’s A Whore (Liverpool Playhouse, 2010) – Play; music composition and QLab programming.
The Count of Monte Cristo (Leeds Theatre Trust/West Yorkshire Playhous) – Play; music composition.
They Only Come At Night: Visions (Slung Low/Barbican, London) – Site Specific Headphone Show; music composition.
Beyond The Front Line (Slung Low/Lowry, Salford) – Large Scale/Site Specific Headphone Show; music composition, choral and violin arrangement.
They Only Come At Night: Resurrection (Slung Low/Lowry, Salford) – Site Specific Headphone Show; music composition.
Helium (Slung Low/Barbican) – Site Specific ‘Box’ Headphone Show; music composition and sound design.
Last Seen (Slung Low/Almeida, London) – Large Scale, Site Specific, Headphone Show; music composition and sound design.
They Only Come At Night (Slung Low) – Site Specific Headphone Show; music composition and sound design.
Underground (Slung Low) – Play – Contact, Manchester; Alhambra, Bradford; music composition and sound design.
Terre Haute (Nabokov Theatre Company, 2006-7) – Play – Trafalgar Studios, London West End 2007; Edinburgh Fringe 2006, UK Tour 2007; music composition.
Shiver (Silver Tongue Theatre Company, 2006-7) – Play – Edinburgh Fringe 2006; UK Tour 2007; music composition.
1139 Miles (Slung Low) – Large Scale/Site Specific/Installation; music composition and sound design.
Bricks (Slung Low) – Small Scale/Installation; music composition and sound design.
Phone Calls Home (Slung Low/Theatre in the Mill, Bradford) – Small Scale/Installation; music composition and sound design.
Time at Moghul Gardens (Slung Low) – Site Specific Installation/Play; music composition and sound design.
Jacaranda (Hi-Veld Theatre Company) – Dance Theatre – Theatre in the Mill, Bradford 2005; UK Tour 2006; music composition.
The Magician (dir. James Phillips, Slung Low) Fiction Short – Composer
The Good Book (dir. Brett Chapman, Slung Low) Fiction Short – Composer
Mowgli’s 4D Jungle Adventure (dir. Haris Ahmad, Red Star/SimEx) CG Animation – Composer
Calamity Mine Ride (dir. Haris Ahmad, Red Star 3D) CG Animation – Composer
Wanted Alive 4D (dir. Haris Ahmad/Ben Smith, Red Star 3D) CG Animation – Composer
StarDog & TurboCat (dir. Ben Smith, Red Star) feature-length CG Animation – Composer
Waterslide Ride (dir. Jerome Boutroux, Red Star) CG Animation – Composer
Stine (dir. Kat Wood, Candle & Bell) Live action sci-fi short, starring Tuppence Middleton
Dino Safari 2 (dir. Haris Ahmad, Red Star) CG Animation – Composer
Return To The Lost World (dir. Ben Smith, Red Star) CG Animation – Composer
Birds of a Feather 3D (dir. Ben Smith, Red Star) CG Animation – Composer
Somme 100 Commemoration (dir. L. Hind & A. Lane) 1x Animation to accompany dance, 1x documentary/interview film – Composer
Tomb Racers (dir. Ben Smith, Red Star) CG Animation – Composer
Glacier Race (dir. James Rogers, Red Star) CG Animation – Composer
The Aviatrix (dir. Annette Porter, Nylon Films) Feature Documentary – Composer
Knights Quest (dir. James Rogers, Red Star) CG Animation – Composer
Share a Story: Holey Moley(CITV/Kilogramme) – Composer
The Lost World 3D (dir. Ben Smith, Red Star) CG Animation – Composer
Wild West Mine Ride 3D (dir. James Rogers, Red Star) CG Animation – Composer
Space Chase 3D (dir. Ben Smith, Red Star) CG Animation – Composer
Dino Safari 3D (dir. James Rogers, Red Star) CG Animation – Composer
Max and the Mysterious case of the Stolen Data (dir. Jon Turner, Kilogramme Animation) CG Animation – Composer
Max and the Encounter with the Mobile Malware Monsters (dir. Jon Turner, Kilogramme Animation) CG Animation – Composer
Max and the Inside View of Global Security Threats (dir. Jon Turner, Kilogramme Animation) CG Animation – Composer
20,000 Leagues Under The Sea 3D (dir. Ben Smith, Red Star) CG Animation – Composer
The Good, The Bad And A Horse 3D (dir. Ben Smith, Red Star) CG Animation – Composer
Max and the Late Night IT Security Battle (dir. Jon Turner, Kilogramme Animation) CG Animation – Composer
Sherlock Holmes 3D (dir. Ben Smith, Red Star) CG Animation – Composer – Trailer
Mr Bojagi (dir. Marco van Belle, Goldmark Films) – Composer/Sound Designer
Curio (dir. Steve Nesbit) Feature Film/Horror – Composer
The John Akii-Bua Story: An African Tragedy (VMS/Passion Pictures)
Feature Documentary – Composer – Broadcast BBC2 April 2008
Mother, Mine (UK Film Council/Screen Yorkshire/SYFN/Dave the Horse) – Composer & Sound Designer
Into The Woods (dir. Matt Taabu, UK Film Council/Screen Yorkshire/SYFN) – Sound Designer
The Emaciated Man (dir. K. Tams) – Composer & Sound Designer
The Secret(dir. J. Rosling) – Composer & Sound Designer
The Fifth Mind (Seventh Mind Films) – Composer
Moth To A Flame (UK Film Council / Mezzo) – Composer
King Ponce (UK Film Council / Sort Of… Films) – Composer & Sound Designer
The Projectionist (UK Film Council) – Composer & Sound Designer
This Is What The Open Road Feels Like (Sort Of… Films / Is This Cool) – Sound Designer
Crossing the Line (VMS/Passion Pictures) Feature Length Documentary – Composer – Broadcast BBC4 2007
Private Life (UK Film Council / Mad Cat) – Composer/Sound Designer
Forever and a Day (dir. Steve Waddington) Sound Designer/Editor/Mix – With music by Gabriel Yared
Bent Double (UK Film Council / WideEyed Productions) – Sound Designer
The Forgotten Flood (VMS) – Composer
Black | Blue (UK Film Council / Picture Palace North) Composer & Sound Designer
You’re Nobody (UK Film Council / Picture Palace North) – Composer & Sound Designer
Nits (Cipher Films) – Boom Op
Defend(trailer) (London Film Collective, 2004) – Composer & Sound Designer
New Route (Lippy TV) – Sound Engineer & Composer – short film directed by Philip Wood (Emmerdale, Coronation Street)
Doggin It (Lippy TV) – Sound Engineer – short film directed by Philip Wood (see above)
1 message received (Lippy TV) – Consultant Composer and Sound Designer
Bedding Down (Lippy TV) – Composer
Muzically Infektious (C Media)– Composer screened at the Showcomotion Film Festival, Sheffield
Informatica (Tobbell Films) – Original Music – Top Ten out of 90 entries into the 24hr Film Challenge; Screened at Raindance
Every Picture (trailer) (Tobbell Films) – Featured Composer
Scared Little One (Monkey Mac Productions) – Composer
The Horror Within (VeryMuch So Productions) – Composer& Sound Designer
Schoolyard Samurai(UK Film Council/SEA Media) – Composer/Sound Designer
Ironwerks (UK Film Council/Mike Kehoe) – Boom Op
Little Ken (UK Film Council/SEA Films) – Composer/Sound Designer
The First Time It Hits (UK Film Council/Lippy Films) – Sound Designer
The York Drugs Project (SEA Media, 2003) – Composer – Documentary
Food for Thought(Hi8us North) – Composer – Documentary
Whisper in the Wood (dir. A. Burt/A. Smith)– Composer and Sound Designer – animated short
Next Wednesday (dir. W. Smith/Abhoria Films) – Composer – drama short
Highly Strung (dir. T. Jones/NCCA) – Composer – CG animation short
Game On (NCCA) – Composer – CG animation short
Expecting (dir. S. Lappalainen) – Composer – documentary short
DeadAIR (dir. W. Parsons) – Composer – drama short
Float (dir. R. Sangar, 2001) – Composer – drama short
Goodnight Jack (dir. R. Sangar, 2001) – Composer – documentary short
The Short (dir. D. Quinn, 2001) – Composer – comedy short starring Bernie Clifton.
Undo (dir. D. Quinn, 2001) – Composer – comedy short
Rural Legend (dir. O. Frampton, 2001) – Composer – horror short
Pieces (dir. O. Frampton, 2001) – Composer – horror short
I’m quite sure I’ve forgotten a few from this list too. Tsk.
Mojo Swoptops (Blue Zoo/BBC)
Co-Composer for 52×11 Children’s CG Animated Series, alongside composers Sanj Sen (Danger Mouse) and Alex Ball (Supertato)
Broadcast 2024 onwards on CBeebies (UK) and iPlayer
Nominated for Banff Rockies Award 2025 (Best Pre-School Animation)
Nautilus (Disney/AMC+)
Additional Music for 10-part live action adventure series
Currently on Amazon Prime.
Licensed through Melodie:
Lost Treasures of Angkor: Ancient Laos Revealed (SBS On Demand)
Little Red Riding Hood: After Ever After (Sky/King Bert)
Live Action, Family Comedy Christmas Special
Licensed through Melodie:
Making It Australia (Network 10)
Taste of Australia (Network 10)
Great Australian Walks (SBS)
Wild Winter (National Geographic)
Licensed through Melodie:
Hitler’s Secret Bomb (Science Channel US)
Licensed through Synctracks:
People’s Vets (C4)
Emergency Road Rescue (C5/Paramount)
Saturday Night Live (Hulu)
Licensed through Synctracks:
A Very Country Christmas (BBC1/2)
Cruising with Jane McDonald (C5)
Emergency Road Rescue (C5/Paramount)
Licensed through Melodie:
Wild Winter (National Geographic)
Flood Part 3: To The Sea (BBC2/Slung Low)
Licensed through Premiumbeat.com:
The Dr. Oz Show (Harpo/Sony)
NBA Gametime (NBA TV)
NBA Action (NBA TV)
NBA Basketball (NBA TV)
On The Fly NHL (NHL Network)
The NHL: 100 Years NHL (NHL Network)
Licensed through Synctracks:
Saturday Night Live (NBC)
Cruising With Jane McDonald (C5)
Songs Of Praise (BBC1)
Licensed through Premiumbeat.com:
CNN Tonight (CNN)
CNN Newsroom (CNN)
The Real Housewives of Atlanta (Bravo US)
The Real Housewives of New York City (Bravo US)
Good Morning America (ABC)
Supernatural (Warner Bros.)
Wheel of Fortune (US)
Bones (FOX)
American Idol (FOX)
Licensed through Synctracks:
Saturday Night Live (NBC)
Most Shocking Celebrity Moments (Channel 5 UK)
The Aviatrix (Nylon Films)
Feature-length documentary which premiered on BBC4
Licensed through Premiumbeat.com:
Supernatural (Warner Bros.)
Dog The Bounty Hunter (US)
CSI: Miami (CBS)
The Real Housewives of Atlanta (Bravo US)
Bates Motel (US)
NCIS: Los Angeles (CBS)
Bones (FOX)
Share a Story: Holey Moley (CITV/Kilogramme)
1 of an 8-part series of animated shorts for CITV
CITV Autumn Brand Image 2014
Original Music; 1 minute promotional advertisement which played across all ITV channels from September onwards.
Licensed through Premiumbeat.com:
The Daily Show With Jon Stewart (Comedy Central)
CNN Newsroom
The Rachel Maddow Show (MSNBC)
Piers Morgan Tonight (CNN)
CBS News Sunday Morning
CNN Saturday Morning
New York Undercover (Fox)
Weekend Early Start (CNN)
Judge Karen’s Court (Litton Entertainment, US)
The Rickey Smiley Show (TV One, US)
Save My Son (TV One, US)
Black Enterprise Business Report (TV One, US)
Don’t Sleep! Hosted by T. J. Holmes (BET, US)
Parole Diaries (TV One, US)
Life After (TV One, US)
Keisha & Daniel: Family First (BET, US)
Celebrity Crime Files (TV One, US)
The John Akii-Bua Story: An African Tragedy (Very Much So Productions/BBC)
Original Music; feature-length documentary broadcast BBC2 April 2008
North Korea: Crossing The Line (Very Much So Productions) – Original Music; feature-length documentary broadcast BBC4 March 2007
Also music by Craig Armstrong (Love Actually) and Sister Bliss (Faithless)
The Way We Worshipped: Christmas Special (True North) – Original Music; factual documentary broadcast ITV1 23rd and 26th December 2006
Show and Spell (Sort Of… Films/Film Council UK, 2006) – Composer; Short Film broadcast CBBC October 2008
To Courtney With Love (Mosaic North, 2005) – Composer; ‘One Life’ hour-long documentary broadcast BBC1 26th May 2005
You, Me and Cancer (Mosaic Films/Lippy TV, 2004) – Composer; hour-long documentary broadcast BBC3 24th October 2004
Laserzone (dir. Ben Smith, Red Star Studios, 2005) – Computer Animation
Moth To A Flame (dir. K. Tams, Screen Yorkshire/Film Council, 2007) – Short Drama
They Only Come At Night (dir. Alan Lane/Slung Low, 2005) – Theatre Promo
Black | Blue (dir. Matt Taabu, 2004) – Short Drama
North Korea: Crossing The Line (dir. Daniel Gordon, 2008)
Feature Length Documentary
Private Life (dir. Abbe Robinson, 2006) – Short Drama
Nissan: Ride To The Future (dir. Naoko Tajima, 2006)
Educational Computer Animation
Star Dog & Turbo Cat, an action-adventure, CG animated, feature film for Red Star 3D, in cinemas at Christmas, 2019. My soundtrack is available digitally here, and here are some examples of previous work with Red Star.
Flood (Slung Low, 2017) was a 4-part story I scored, told live on a floating stage, online, and on BBC2 for Hull City of Culture. The soundtrack is available digitally here.
The National Commemoration of the Centenary of the Battle of The Somme (2016) – also known as Somme 100 – in Manchester’s Heaton Park, a concert featuring video and dance underscored by my work.
The Aviatrix (2014), a feature-length documentary for which I composed an original soundtrack, premiered on BBC4 in March 2015.
CITV Autumn Brand Image (2014), a one minute promotional advertisement which played across all the ITV channels from September 2014 onwards featuring some quirky and lively music.
Pandemic (2012), which played for a week as part of the Singapore Arts Festival, was an interactive, theatrical, site-specific experience set in a post-apocalyptic future featuring a suitably horror, synchronised score. “And vampires are closing in…”
Mr Bojagi (2009), a short film starring Brian Blessed, and featuring a fantastical soundtrack, received over 25,000 views on Daily Motion, an online film site, most of those being in its initial weekend. You can watch the trailer here.
Helium (Slung Low, 2007), a site-specific new theatre piece, starring the vocal talents of Patrick Stewart alongside my musical soundscapes. The Guardian and The Metro both liked it so much they both gave it 4*s.
Black | Blue (2005), starring Adewale Akinnuoye-Agbaje (Mr Eko, Lost) is a short, tense drama for which I was awarded Best Sound at the Leicester CAN Short Film Festival.
To Courtney, With Love (2005) was a poignant look at a young mother and her struggle with cancer, featuring an intimate, piano-led music. Broadcast on BBC1, it won the RTS award for Best Documentary in 2006.