Happy New Year 2017, The Year That Hull Floods!

Happy New Year! How are your resolutions going? Politics is proving pretty disturbing at the moment so I’m burying my head in the sand work for now… and for the foreseeable, as 2017 is fairly solidly booked up work-wise already, which is a relief in unstable economic times, and also so that I can legitimately ignore the horrors of the daily news cycle guilt-free. Not that I really need an excuse: it gets more depressing everyday. Though sometimes it’s like a traffic accident, and you just. can’t. look. away….

sea and sky

There… that’s better.

After starting the year with a week tying up a few loose ends on an early score for Red Star‘s latest animation, I’ve just started prepping work on Flood, an epic beast of a 4-part show for Hull’s City of Culture, which includes two site-specific headphone shows and some other ridiculously fun film bits. Flood is being produced by Slung Low and is beyond ambitious in its scale, telling a gorgeous and particularly timely story.  I cannot wait to see these shows up-and-running, never mind putting them in front of an audience.

So far, I’ve roughly plotted cues on the first headphone show, I think I’ve got the bones of a theme and I’ve really got to get started on a song, as those two bits of tune will probably inform the rest of the music, one way or another. So, obvs, I’ve gone for classic displacement* activity and decided to update the blog…

Flood is the story is what happens ‘when the waters come’. It’s set in a near future, the same world as The White Whale’ (2014). I would love to tell you more because it’s so exciting but I might wreck some finely tuned promotional schedule so I’ll leave it at that for now. Sign up to Slung Low’s newsletter and you’ll be informed when box office starts selling tickets! Go do it now!

*always use your procrastinating tendencies productively. In other news, my studio has been surprisingly tidy of late.

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