Continue readingHow Composing for Choir is Different (for me)
When I compose for choir, I know that there are going to be *lyrics*. This is the one key difference that means my compositional process is different from usual.
Lyrics are the words of the choral composition that need to be set to melody, rhythm, and harmonies. These musical structures support the emotional expression of the words.
Those lyrics are the priority when considering the overall meaning of the music. They are, usually, either *as important* or *more so* than the associated musical sounds. How I use the lyrics within other musical structures is always something I’m thinking about during the process.
Are You Up for a Challenge? 30 Days of Music Morning Pages
I'm on to the next stage of my DYCP project. Up until a few weeks ago I was learning new tools and techniques, and now I'm supposed to be composing.
Which, in theory, sounds like a lovely thing, doesn't it? To have 3 months to just write whatever I want? Living the dream.
But omg do I like to make things more difficult than they need to be and suddenly I'm feeling all this pressure to produce something awesome. We creatives do like to beat ourselves up unnecessarily, don't we.
Continue readingAre You Up for a Challenge? 30 Days of Music Morning Pages
The Most Important Musical Terms: Tone and Emotion
Why do we tell stories? So that the people we're telling it to feel something. An emotional response is the end game. Keep that in mind when talking about music and you can't go far wrong.
Continue readingThe Most Important Musical Terms: Tone and Emotion
How I ‘Spot’ Cues in a film (works for any media) – a quick and dirty guide
‘Spotting cues’ is the process of deciding in advance of any composition where music will happen within a piece of media. Here are 4 simple steps to guide you through the process.
Continue readingHow I 'Spot' Cues in a film (works for any media) - a quick and dirty guide
Why You Should Beware Career Advice from The Experts
BEWARE life experience presented as advice, opinion presented as fact, sweeping generalizations, and unconscious bias.
Continue readingWhy You Should Beware Career Advice from The Experts
Big Announcement – I got Arts Council funding to Develop My Creative Practice (DYCP)
HUGE NEWS! I got funded. I'm now supported as an artist by Arts Council England. How bleeping exciting! I'm going to take a decent chunk of the next 7 months to both learn some new computer music toys and tools, go deeper into the capabilities of some of the tools I already have but haven't …
A Composer’s View of The Temp Track – Is it a ‘Necessary Evil’?
Also known as the 'temp score', temporary music track or 'scratch track', the temp track is used by editors in TV and film. By using pre-existing music in roughly the right tempo and tone, it's much easier to cut the picture and show it to the director and anyone else who has input on the project. But here's the problem...
Continue readingA Composer's View of The Temp Track - Is it a 'Necessary Evil'?
Why Good is Not the Enemy of Great (for Innovators, Creators and Artists on a Deadline)
Is good the enemy of great? I don't think so. I think 'good' is the only road to this fabled 'great'. Good is 'it works. But first, we must start.
Why I Love Orchestral Bowed Strings and Use Them All The Time (with LOADS of Musical Examples)
I LOVE ORCHESTRAL STRINGS. They are my fave section of the classical orchestra (followed closely by the brass and horns). They're just SO VERSATILE - there are so many different techniques and tone colours you can make with string instruments, which means that their emotional range (I would argue) is enormous. This makes them, without …
Use a Limited Palette to Make You More Creative in Less Time (with Musical Examples)
Coming up with ideas can be difficult, but it doesn't have to be. In this post, I'll go into more detail about a particular form of restriction that's very common in music - the 'limited palette'.
Continue readingUse a Limited Palette to Make You More Creative in Less Time (with Musical Examples)
