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Music composed for, has appeared on, has been licensed for, or has been heard at:

Brett Chapman’s direction and Heather Fenoughty’s music combine to evoke an oppressive and intimate atmosphere…

Fergus Morgan for The Stage Review of THE GOOD BOOK (Slung Low 2020)

Latest News

STARDOG AND TURBOCAT, the animated action-adventure feature film, released in cinemas nationwide on 6th December, 2019.

Starring Gemma Arterton, Bill Nighy, Nick Frost and Luke Evans, it follows the adventures of a loyal dog and a vigilante cat who embark on a space age voyage to find their way home.


STARDOG AND TURBOCAT – Official Soundtrack Release

I’m super happy to announce that the soundtrack to STARDOG AND TURBOCAT is released digitally on 6th December.

Action-adventure, soaring themes, quirky, dark, happy, heartfelt and sad, this score covers it all, to outer space and back.


STARDOG AND TURBOCAT the movie – now streaming and on DVD


‘THE GOOD BOOK’ – short film released

Including the single Save the Book (Spiritus Sanctus Vivificans). Watch the trailer and film here and listen to the music on any of your favourite streaming platforms here.

about

As composer for film, TV, theatre, adverts, games and online media, I’ve credits on BBC and ITV documentaries and feature films. I’ve composed music for advertisements by CITV, Nissan, Land Rover and other multi-national companies. My most recent work includes StarDog & TurboCat, an animated feature by Red Star 3D. Starring Gemma Arterton, Nick Frost, Bill Nighy and Luke Evans, StarDog & TurboCat was released in UK cinemas in December 2019.

My production music has featured on The Daily Show with Jon Stewart, CNN Newsroom, CBS News, Channels 4 and 5 et al, and in games – for XBox, iPad and online flash games.

In the past, I’ve provided full post-production audio services for shorts and  online narratives, from dialogue editing and recorded sound cleanup with sound effects, to final production, mixing and mastering. Now I’m focussed on music composition, these audio skills still inform my work.

I create music and design sound for award-winning installation and contemporary theatre, often with Slung Low and Third Angel theatre companies. These scores have played in the West End, off Broadway, for Sundance Theatre Lab, and at Singapore Arts Festival.

My scores can be heard in 4D theme park cinemas across the world in many of Red Star’s 3D CG animations.

I compose a growing, exclusive collection of production music for Premiumbeat. Other tracks from my back catalogue can be found on Pond5 for licensing.

I’ve written about creativity and the business of composing music at ScoreCastOnline.com, and spoken on the use of sound and music in media at universities and film events. I’ve sat on panels to judge film and TV music for BAFTA, BASCA, PRS and other film organisations.

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Recent Posts

10 Top Tips – Writing Film Music
handwritten musical score with pencil
So you've got a great commission, composing music for feature film. Congratulations! But now what? Here are a few ideas that I've learned (often from some pretty tough lessons) make the process go a little more smoothly...
  1. Get involved ...
Writing Music for Theatre – Helium
A music studio
The 'short adventure for one', Helium, has completed its run at the Barbican. 4 stars in The Guardian The show is a theatrical installation, or 'box show' where an audience member travels through a number of specially-constructed rooms featuring digital ...
First Post
Microphone in a recording studio
Hi - and welcome to my new blog! My first post comes on one of the last few performance dates of 'Helium' by Slung Low, performing at The Barbican in London to riotous acclaim (4 stars in The Guardian, same ...

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