theatre

2016

Partus (Third Angel/Sheffield Theatres) – Devised Studio Play
15 Minutes Live @ The Holbeck (Slung Low) – Live Radio Plays
It Happened Here (Slung Low) – Installation/Promenade Audio Tour
Blackthorn (West Yorkshire Playhouse) – New Two-Hander Studio Play

2015

Emergency Story Penguin (Slung Low/Dep Arts) – Children’s/Experiential/Promenade Headphone Show
Camelot: The Shining City (Slung Low/Sheffield Theatres) – Large-Scale Promenade Headphone Show
The Straight Man (Marchen Theatre) – Short Noir-Ha Four-Hander Play

2014

The White Whale (Slung Low) – Promenade Headphone Show
Venetian Masquerades (Slung Low/Clay/V&A Museum) – Interactive Exhibition

2013

15 Minutes Live @ The HUB (Slung Low) – Live Radio Plays
15 Minutes Live @ Theatre in the Mill (Slung Low) – 4 Live Radio Plays
Blood+Chocolate (Slung Low/Pilot/York Theatre Royal) – Large Scale Promenade Headphone Show

2012

They Only Come At Night: Pandemic  (Slung Low/Singapore Arts Festival) – Promenade Installation Headphone Show
15 Minutes Live @ Leeds Town Hall (Slung Low) – Live Radio Plays
Converging Paths: Darkness At the Sun Court  (Slung Low/Coastival) – Headphone Show
Converging Paths: Keep  (Slung Low/Richmond Festival) – Promenade Headphone Show
Converging Paths: Retrospective  (Slung Low/Grassington Festival) – Promenade Headphone Show
Converging Paths: Memorial (Slung Low/Harrogate International Festival) – Large Scale Promenade Headphone Show
Converging Paths: Story Book (Slung Low/Pickering Festival) – Promenade Headphone Show
Northern Big Board  (Slung Low/Chol Theatre) – Headphone Show
59 Minutes To Save Christmas (Slung Low/Barbican) – Promenade, Installation, Site Specific, Headphone, Children’s Show

2011

15 Minutes Live @ Farsley Mill (Slung Low/I Love West Leeds Festival) – Live Radio Plays
Original Bearings (Slung Low/I Love West Leeds Festival) – Site Specific Headphone Show
Finale (Slung Low/Liverpool Everyman) – Site Specific, Installation Headphone Tour and One-off Theatre Performance
The Correct Frequency for Stories (Slung Low/Grassington Festival) – Site-Specific Promenade Headphone Show
Mapping The City (Slung Low/imove, 2011) – Large Scale/Site Specific Promenade – Hull Truck

2010

Anthology (Slung Low/Liverpool Everyman, 2010) – 7-fold Concurrent Promenade Headphone Show
‘Tis Pity She’s A Whore (Liverpool Playhouse, 2010) – Play
The Count of Monte Cristo (Leeds Theatre Trust/West Yorkshire Playhous) – Play

2009

They Only Come At Night: Visions (Slung Low/Barbican, London) – Site Specific Headphone Show
Beyond The Front Line (Slung Low/Lowry, Salford) – Large Scale/Site Specific Headphone Show
They Only Come At Night: Resurrection (Slung Low/Lowry, Salford) – Site Specific  Headphone Show

2008

Helium (Slung Low/Barbican) – Site Specific ‘Box’ Headphone Show
Last Seen (Slung Low/Almeida, London) – Large Scale, Site Specific, Headphone Show

2007

They Only Come At Night (Slung Low) – Site Specific Headphone Show
Underground (Slung Low) – Play – Contact, Manchester; Alhambra, Bradford

2006

Terre Haute (Nabokov Theatre Company, 2006-7) – Play – Trafalgar Studios, London West End 2007; Edinburgh Fringe 2006, UK Tour 2007
Shiver (Silver Tongue Theatre Company, 2006-7) – Play – Edinburgh Fringe 2006; UK Tour 2007
1139 Miles (Slung Low) – Large Scale/Site Specific/Installation

2005

Bricks (Slung Low) – Small Scale/Installation
Phone Calls Home (Slung Low/Theatre in the Mill, Bradford) – Small Scale/Installation

2004

Time at Moghul Gardens (Slung Low) – Site Specific Installation/Play
Jacaranda (Hi-Veld Theatre Company) – Dance Theatre – Theatre in the Mill, Bradford 2005; UK Tour 2006

A lot of these credits are with a company called Slung Low. I’m a regular in this band of diverse and talented theatre types, and we make some really awesome theatrical experiences. From our website:

Slung Low is a company specialising in new work, working with teams of artists and collaborators collected from diverse creative backgrounds including prose, movement, video, sound and theatre.

Slung Low allows the particular demands of each story to inform the choice of venue and performance style- meaning that you are as likely to catch the next show on your iPod as you are in a city centre car-park.

At the core of the company’s work is the intention to use all the technology and resources available to a 21st Century artist to achieve that oldest of artistic aims – a good story well told.